Artwork

Sandra’s World

Learn Your Necessities: How to Cook, How to Clean, and More!

Oil on canvas (four 8 x 8 in. canvases & two 24 x 18 in. canvases), 2 videos on iPads, archival inkjet print on vinyl

Sandra denaturalizes conventional ideas about women’s work before the audience’s eyes, making a familiar concept strange and uncomfortable. In her selfie-style vlogs, Sandra begrudgingly does her household duties, her resentment thinly masked by an artificial smile. The paintings capture stills from these videos, revealing the moments where the scenes of domestic labor double as scenes of psychological angst. The paintings expose “plot points” in the constantly-rehearsed choreography of housework. This assembly of videos and static paintings disrupt the traditional conventions of both media. Together, these pieces create and subvert a rhythm, inviting the viewer to assemble and disassemble the monotony of domestic labor.

The Nightmare of My Nightmare

Oil on canvas, two 48 x 30 inch panels

In this diptych painting, Youtube star Sandra from Learn Your Necessities: How to Cook, Clean, and More! returns, continuing to destabilize conventional ideas about women’s work. However, Sandra has changed; instead of one Sandra there are nine, all working to tackle the endless drudgery of domestic labor. These Sandras are stuck in the afterimage of the outmoded 1950s housewife, trapped in the ceaseless cycle of maintenance labor; never progressing, always working. Sandra finds herself confined to the kitchen which has become a self-contained world, untethered from reality. Time and space distort unexpectedly, unsettling notions of gendered labor and rendering these familiar tasks absurd. The only cracks in this self-enclosed world are flooded by the otherworldly blue light of the screen, promising nothing but a technological void beyond Sandra’s dingy yellow walls. If the first iteration of Sandra, the Youtube star, was the artist’s alter ego and nightmare, then these new Sandras are her nightmare. Sandra’s greatest fears about entrapment, labor, and gender roles have become all-consuming, evacuating reality itself.

On Femininity, Domesticity, and Dissociation

Cutting tomatoes

Oil on paper
Five 6 x 6 inch sheets

Meditations

Oil on paper
Five 8.25 x 9 inch sheets

Drawing

Interior Space

Pencil on paper
40 x 30 inches

Little Hall

Pencil on paper
18 x 24 inches

Self Portrait

Pencil on paper
40 x 30 inches

Studies

Still Life 1

Oil on canvas
16 x 18 inches

Red and Blue

Oil on canvas
18 x 16 inches

Still Life 2

Oil on canvas
16 x 18 inches

Scrabble

Colored pencil
11 x 11 inches

My Rings

Colored pencil
7 x 11 inches

Van Gogh’s Roses

Charcoal on paper
18 x 24 inches

The Hands Series

Tied Up

Oil on Canvas
36 x 48 inches

Puppet Show

Oil on canvas
12 x 16 inches

A Woman’s Job

Oil on canvas
16 x 12 inches

What A Man Sees When He Looks in the Mirror

Oil on canvas
16 x 12 inches

Smudged

Oil on canvas
24 x 18 inches

Untitled

Oil on canvas
16 x 12 inches

A Long Day

Colored Pencil
12 x 10 inches

The Palms

Oil on canvas
ten 4 x 4 inch squares
Based on Synecdoche by Byron Kim

Two Hands

Acrylic paint on paper
two 14 x 11 inch sheets
Made with a sponge, Q-Tip, stick of gum, plastic wrapper, Twizzlers, and cotton balls

Portraits

Poppop

Oil on canvas
16 x 20 inches

Untitled

Oil on canvas
18 x 24 inches